Free Ebook Art : The Royal Museum at Naples

The ancient Roman and Greek cultures had a very different attitude about sexuality than successive European cultures, more akin to that of the Kama Sutra. This, of course, was unimaginable to latter day Europeans, who rigidly compartmentalized body, mind and spirit, and to whom any sexuality was sinful and morbid.

Some of the best artistic expressions of this can be found in the recovered city of Pompeii. Pompeii was frozen in time by the volcanic eruption of Vesuvius in 79 A.D., and not unearthed until 1748. Pompeii was a seaside resort, devoted to the arts, relaxation, and the pursuit of pleasure. The excavators were horrified to discover erotic frescos, mosaics, statuary and phallic votive objects.

The moveable erotic artifacts were taken to Naples and kept in seclusion in the Royal Museum. The erotic wall and floor art had lockable metal boxes constructed over them and were displayed to tourists for an extra fee (women and children excluded). When I visited Pompeii in the late 1960s, this peepshow was still in operation.

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Free Ebook Art : A Basic Call to Consciousness

The following comprises a very powerful message given by the Hau de no sau nee (or traditional Six nations council at Onondaga) also called the Iroquois Confederacy "to the Non-governmental Organizations (NGOs) of the United Nations in Geneva, Switzerland in September, 1977. The Non-governmental Organizations had called for papers which describe the conditions of oppression suffered by Native people under three subject headings, with supportive oral statements to be given to the commissions. The Hau de no sau nee, the traditional Six nations council at Onondaga, sent forth three papers which constitute an abbreviated analysis of Western history, and which call for a consciousness of the Sacred Web of Life in the Universe."

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Free Ebook Art : A History Of Greek Art

With an Introductory Chapter on Art in Egypt and Mesopotamia

BY F. B. TARBELL

PROFESSOR OF CLASSICAL ARCHAEOLOGY IN THE UNIVERSITY OF CHICAGO

PREFACE.

The art of any artistically gifted people may be studied with
various purposes and in various ways. One man, being himself an
artist, may seek inspiration or guidance for his own practice;
another, being a student of the history of civilization, may
strive to comprehend the products of art as one manifestation of a
people's spiritual life; another may be interested chiefly in
tracing the development of artistic processes, forms, and
subjects; and so on. But this book has been written

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